Raymond Cauchetier 1920-2021
A Bout de Souffle - Jean Seberg (Boulevard Saint-Germain), 1959
Gelatin Silver Print
30 x 24 cms
11 12/16 x 9 7/16 ins
11 12/16 x 9 7/16 ins
12497
Printed 2015 Paper Size: 40 x 30 cm # Edition of 20 Photograph is signed and numbered by the artist. Jean Seberg filming A bout de souffle (Breathless) on the...
Printed 2015
Paper Size: 40 x 30 cm #
Edition of 20
Photograph is signed and numbered by the artist.
Jean Seberg filming A bout de souffle (Breathless) on the Boulevard Saint-Germain, Paris.
Recalling working on set with the actress, Cauchetier recalls, 'Jean Seberg was simply charming. After the shock of the early days she was perfectly suited. With her short hair, inherited from Preminger's Joan of Arc, she created a style that is still in fashion fifty years later. It was the beginning of her romance with Romain Gary, and she exuded happiness.
bout de souffle (Breathless) is centred around a love affair between anti-hero Michel (Jean-Paul Belmondo), a French petty criminal on the run from the police, and his American girlfriend Patricia (Jean Seberg), a student who sells the New York Herald Tribune on the Champs-Elysees. Patricia unwittingly hides him in her apartment as he simultaneously tries to seduce her and plan his escape to Italy. She eventually learns Michel is on the run and contacts the police, resulting in him being shot dead by the police on the street. Godard's first feature-length film is among the inaugural films of the French new wave.
The film was released the year after François Truffaut's Les quatre cents coups (The 400 Blows) and Alain Resnais's Hiroshima, Mon Amour (Hiroshima, My Love). Together, the three films brought international attention and acclaim to the nouvelle vague, and A bout de souffle (Breathless) was heralded for the bold monochrome visuals and its provocative, original style.
Paper Size: 40 x 30 cm #
Edition of 20
Photograph is signed and numbered by the artist.
Jean Seberg filming A bout de souffle (Breathless) on the Boulevard Saint-Germain, Paris.
Recalling working on set with the actress, Cauchetier recalls, 'Jean Seberg was simply charming. After the shock of the early days she was perfectly suited. With her short hair, inherited from Preminger's Joan of Arc, she created a style that is still in fashion fifty years later. It was the beginning of her romance with Romain Gary, and she exuded happiness.
bout de souffle (Breathless) is centred around a love affair between anti-hero Michel (Jean-Paul Belmondo), a French petty criminal on the run from the police, and his American girlfriend Patricia (Jean Seberg), a student who sells the New York Herald Tribune on the Champs-Elysees. Patricia unwittingly hides him in her apartment as he simultaneously tries to seduce her and plan his escape to Italy. She eventually learns Michel is on the run and contacts the police, resulting in him being shot dead by the police on the street. Godard's first feature-length film is among the inaugural films of the French new wave.
The film was released the year after François Truffaut's Les quatre cents coups (The 400 Blows) and Alain Resnais's Hiroshima, Mon Amour (Hiroshima, My Love). Together, the three films brought international attention and acclaim to the nouvelle vague, and A bout de souffle (Breathless) was heralded for the bold monochrome visuals and its provocative, original style.