Tony Bevan b. 1951
Hammer, 1984
Acrylic and pigment on canvas
150.5 x 205.7 cms
59 4/16 x 80 15/16 ins
59 4/16 x 80 15/16 ins
4033
£ 38,000.00
Using a similar formal aesthetic to Intervention, Hammer demonstrates an equally psychological theme, its underlying meaning remaining obscure. The roughness of the pigment on the canvas lends itself to this...
Using a similar formal aesthetic to Intervention, Hammer demonstrates an equally psychological theme, its underlying meaning remaining obscure.
The roughness of the pigment on the canvas lends itself to this raw, unbalanced ambience. Like the arm of Intervention, it is uncertain whether the hammer is settled, or floating.
The roughness of the pigment on the canvas lends itself to this raw, unbalanced ambience. Like the arm of Intervention, it is uncertain whether the hammer is settled, or floating.
Exhibitions
Violence and Sensation, James Hyman Gallery, London, 5 September - 4 October 2008.1
of
11